Box Office - BRICS

  • BRICS
  • In the BRICS countries, revenue in the Box Office market market is projected to reach US$14.42bn in 2025.
  • This revenue is expected to exhibit an annual growth rate (CAGR 2025-2029) of 7.96%, leading to a projected market volume of US$19.59bn by 2029.
  • By 2029, the number of viewers in the Box Office market market across in BRICS is anticipated to amount to 1.0bn users.
  • User penetration in these countries will be 27.1% in 2025 and is expected to increase to 29.5% by 2029.
  • The average revenue per viewer in the BRICS Box Office market market is expected to amount to US$16.10.
  • In a global context, the majority of revenue will be generated the United States, with an expected revenue of US$11,500.00m in 2025.
  • Brazil's box office market is increasingly reflecting local cultural narratives, drawing audiences with films that resonate deeply with national identity and social issues.

Key regions: South Korea, United Kingdom, Germany, United States, Europe

 
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Analyst Opinion

The Box Office market in BRICS countries is experiencing significant growth and development, driven by various factors such as customer preferences, trends in the market, local special circumstances, and underlying macroeconomic factors. Customer preferences in the BRICS Box Office market are influenced by a variety of factors. One of the key preferences is the demand for high-quality entertainment experiences. Customers in these countries are increasingly seeking out immersive and visually stunning films that provide a break from their daily lives. Additionally, there is a growing preference for local content that reflects the cultural diversity and uniqueness of each BRICS country. This preference for local content has led to the emergence of successful domestic film industries in countries like India and China. Trends in the Box Office market in BRICS countries are also contributing to its development. One notable trend is the increasing popularity of digital platforms for movie distribution. With the rise of streaming services and online ticketing platforms, customers now have greater convenience and flexibility in accessing and purchasing movie tickets. This trend has not only expanded the reach of the Box Office market, but also opened up new revenue streams for filmmakers and distributors. Local special circumstances also play a role in shaping the Box Office market in BRICS countries. For example, in India, the presence of a large and diverse population has created a massive potential market for films. Indian cinema, commonly referred to as Bollywood, caters to a wide range of audiences and genres, further fueling the growth of the Box Office market. In China, strict government regulations and censorship policies have influenced the types of films that are produced and distributed, leading to a unique market landscape. Underlying macroeconomic factors also contribute to the growth of the Box Office market in BRICS countries. Economic growth and rising disposable incomes have increased the affordability of movie tickets, making them more accessible to a larger segment of the population. Additionally, urbanization and the expansion of middle-class populations have created a larger consumer base for the Box Office market. As more people move to cities and experience an increase in their purchasing power, the demand for entertainment options like movies continues to rise. In conclusion, the Box Office market in BRICS countries is developing and growing due to various factors. Customer preferences, such as the demand for high-quality entertainment experiences and local content, are driving the market. Trends like the rise of digital platforms and online ticketing are also contributing to its growth. Local special circumstances, such as the unique market landscapes in each country, further shape the market. Finally, underlying macroeconomic factors like economic growth and rising disposable incomes play a crucial role in expanding the Box Office market in BRICS countries.

Methodology

Data coverage:

The data encompasses B2C enterprises. Figures are based on the Cinema market, which comprises revenues from box office, advertsing and concessions. The market includes both consumer and advertising spending. All monetary figures refer to consumer spending on tickets and concessions. This spending factors in discounts, margins, and taxes.

Modeling approach / market size:

The market size is determined through a bottom-up approach. We use annual financial reports of the market-leading companies and industry associations, third-party studies and reports, survey results from our primary research (e.g., Consumer Insights), as well as performance factors (e.g., user penetration, price per product, usage) to analyze the markets. To estimate the market size for each country individually, we use relevant key market indicators and data from country-specific industry associations, such as various macroeconomic indicators, historical developments, current trends, and reported performance indicators of key market players. In particular, we consider average prices and annual purchase frequencies.

Forecasts:

We apply a variety of forecasting techniques, depending on the behavior of the relevant market. For instance, the S-curve function and exponential trend smoothing are well suited for forecasting digital products and services due to the non-linear growth of technology adoption. The main drivers are GDP per capita, consumer spending per capita, and 4G coverage.

Additional notes:

The data is modeled using current exchange rates. The market is updated twice a year in case market dynamics change. The impact of the COVID-19 pandemic is considered at a country-specific level. The data is modeled using current exchange rates. The impact of the COVID-19 pandemic and the Russia-Ukraine war are considered at a country-specific level. The market is updated twice a year. In some cases, the data is updated on an ad hoc basis (e.g., when new, relevant data has been released or significant changes within the market have an impact on the projected development). Consumer Insights data is reweighted for representativeness.

Overview

  • Revenue
  • Analyst Opinion
  • Users
  • Global Comparison
  • Methodology
  • Key Market Indicators
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