Key regions: South Korea, United Kingdom, Germany, United States, Europe
The Box Office market in ASEAN has been experiencing significant growth and development in recent years. Customer preferences in the ASEAN region have played a key role in driving the growth of the Box Office market. ASEAN consumers have shown a strong preference for entertainment and leisure activities, and going to the movies is a popular choice for many. The rise of digital platforms and streaming services has also contributed to the growth of the Box Office market, as consumers continue to seek out unique and immersive experiences that cannot be replicated at home. Additionally, the increasing disposable income and changing lifestyles of ASEAN consumers have allowed for greater spending on entertainment, including movie tickets. One of the key trends in the Box Office market in ASEAN is the increasing popularity of local films. ASEAN countries have seen a rise in the production of high-quality local films that resonate with local audiences. This trend can be attributed to the growing recognition and support for local talent and storytelling, as well as the availability of funding and resources for local film production. The success of local films has also been driven by the strong cultural identity and unique narratives that resonate with ASEAN audiences. Another trend in the Box Office market in ASEAN is the growing influence of international films. Hollywood blockbusters and films from other international markets have gained a significant following in ASEAN countries. The popularity of these films can be attributed to their high production values, compelling storytelling, and the star power of international actors. The widespread availability of these films in local cinemas and the increasing number of international film festivals in ASEAN countries have also contributed to their success. Local special circumstances in the ASEAN region have also influenced the development of the Box Office market. The diverse cultural and linguistic landscape of ASEAN countries has led to the emergence of a vibrant and varied film industry. Each country in the region has its own unique film industry, with its own set of challenges and opportunities. For example, the film industry in Indonesia, the largest ASEAN country, has been driven by the popularity of local films and the support of the government. On the other hand, the film industry in Singapore, a small city-state, has been shaped by its focus on international co-productions and its efforts to position itself as a regional hub for film production. Underlying macroeconomic factors have also contributed to the growth of the Box Office market in ASEAN. The region has experienced steady economic growth in recent years, which has resulted in an increase in disposable income and consumer spending. This has allowed for greater spending on entertainment, including movie tickets. Additionally, the growing middle class in ASEAN countries has led to an increase in the number of people who can afford to go to the movies regularly. The rise of digital platforms and streaming services has also made it easier for consumers to access and consume movies, further driving the growth of the Box Office market. In conclusion, the Box Office market in ASEAN is experiencing significant growth and development due to customer preferences, trends in the market, local special circumstances, and underlying macroeconomic factors. The popularity of local and international films, the availability of digital platforms, and the increasing disposable income of ASEAN consumers have all contributed to the growth of the Box Office market in the region.
Data coverage:
The data encompasses B2C enterprises. Figures are based on the Cinema market, which comprises revenues from box office, advertsing and concessions. The market includes both consumer and advertising spending. All monetary figures refer to consumer spending on tickets and concessions. This spending factors in discounts, margins, and taxes.Modeling approach / market size:
The market size is determined through a bottom-up approach. We use annual financial reports of the market-leading companies and industry associations, third-party studies and reports, survey results from our primary research (e.g., Consumer Insights), as well as performance factors (e.g., user penetration, price per product, usage) to analyze the markets. To estimate the market size for each country individually, we use relevant key market indicators and data from country-specific industry associations, such as various macroeconomic indicators, historical developments, current trends, and reported performance indicators of key market players. In particular, we consider average prices and annual purchase frequencies.Forecasts:
We apply a variety of forecasting techniques, depending on the behavior of the relevant market. For instance, the S-curve function and exponential trend smoothing are well suited for forecasting digital products and services due to the non-linear growth of technology adoption. The main drivers are GDP per capita, consumer spending per capita, and 4G coverage.Additional notes:
The data is modeled using current exchange rates. The market is updated twice a year in case market dynamics change. The impact of the COVID-19 pandemic is considered at a country-specific level. The data is modeled using current exchange rates. The impact of the COVID-19 pandemic and the Russia-Ukraine war are considered at a country-specific level. The market is updated twice a year. In some cases, the data is updated on an ad hoc basis (e.g., when new, relevant data has been released or significant changes within the market have an impact on the projected development). Consumer Insights data is reweighted for representativeness.
Mon - Fri, 9am - 6pm (EST)
Mon - Fri, 9am - 5pm (SGT)
Mon - Fri, 10:00am - 6:00pm (JST)
Mon - Fri, 9:30am - 5pm (GMT)
Mon - Fri, 9am - 6pm (EST)
