Cinema Advertising - North America

  • North America
  • In North America, ad spending in the Cinema Advertising market is projected to reach US$1.11bn in 2024.
  • The ad spending is expected to demonstrate an annual growth rate (CAGR 2024-2029) of 8.25%, leading to a projected market volume of US$1.65bn by 2029.
  • With a projected market volume of US$952.00m in 2024, the majority of revenue will be generated the United States.
  • In the Cinema Advertising market, the number of viewers is anticipated to reach 335.7m users by 2029.
  • The average ad spending per viewer in the Cinema Advertising market is projected to amount to US$4.13 in 2024.
  • In North America, cinema advertising is evolving as brands increasingly leverage immersive experiences to engage audiences in a post-pandemic landscape.

Key regions: United Kingdom, Japan, United States, Europe, Germany

 
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Analyst Opinion

The Cinema Advertising market in North America is experiencing significant growth and development.

Customer preferences:
Customers in North America are increasingly drawn to the immersive and captivating experience that cinema advertising offers. Unlike traditional forms of advertising, cinema advertising allows brands to engage with audiences in a unique and memorable way. With advancements in technology, cinema advertising has become more interactive and visually appealing, creating a more engaging experience for viewers. Additionally, the ability to target specific demographics and reach a captive audience during a highly anticipated movie release has made cinema advertising an attractive option for advertisers.

Trends in the market:
One of the key trends in the cinema advertising market in North America is the increasing use of digital technology. Digital cinema screens have become more prevalent, allowing advertisers to deliver high-quality, dynamic content to audiences. This shift towards digital advertising has also opened up new opportunities for targeted advertising, as digital screens can display different ads based on the demographics of the audience. Furthermore, the integration of mobile and social media platforms into cinema advertising campaigns has become more common, enabling advertisers to extend their reach and engage with viewers beyond the theater. Another trend in the market is the rise of branded content and partnerships. Advertisers are increasingly collaborating with movie studios and filmmakers to create unique and immersive experiences for audiences. This integration of advertising into the movie itself allows for a seamless and organic integration of brands into the cinematic experience. By aligning their brand with popular movies and characters, advertisers can leverage the existing fan base and generate greater brand awareness and loyalty.

Local special circumstances:
The North American market is characterized by a strong cinema culture, with a high number of moviegoers and a preference for big-budget blockbuster films. This provides advertisers with a unique opportunity to reach a large and diverse audience. Additionally, the North American market is highly competitive, with numerous cinema chains and advertising agencies vying for the attention of advertisers. This competition has led to innovations in cinema advertising and the development of new strategies to attract and retain advertisers.

Underlying macroeconomic factors:
The strong economy in North America has contributed to the growth of the cinema advertising market. As disposable incomes rise, consumers have more discretionary spending power, leading to increased movie attendance. This, in turn, creates a larger audience for cinema advertising, making it an attractive platform for advertisers. Furthermore, the North American market is known for its innovation and technological advancements, which have played a significant role in the development and adoption of new advertising techniques in the cinema industry. In conclusion, the Cinema Advertising market in North America is experiencing growth and development due to customer preferences for immersive and engaging experiences, the use of digital technology, the rise of branded content and partnerships, the strong cinema culture in the region, and the underlying macroeconomic factors such as a strong economy and technological advancements.

Methodology

Data coverage:

The data encompasses B2C enterprises. Figures are based on the Cinema market, which comprises revenues from box office, advertsing and concessions. The market includes both consumer and advertising spending. All monetary figures refer to consumer spending on tickets and concessions. This spending factors in discounts, margins, and taxes.

Modeling approach / market size:

The market size is determined through a bottom-up approach. We use annual financial reports of the market-leading companies and industry associations, third-party studies and reports, survey results from our primary research (e.g., Consumer Insights), as well as performance factors (e.g., user penetration, price per product, usage) to analyze the markets. To estimate the market size for each country individually, we use relevant key market indicators and data from country-specific industry associations, such as various macroeconomic indicators, historical developments, current trends, and reported performance indicators of key market players. In particular, we consider average prices and annual purchase frequencies.

Forecasts:

We apply a variety of forecasting techniques, depending on the behavior of the relevant market. For instance, the S-curve function and exponential trend smoothing are well suited for forecasting digital products and services due to the non-linear growth of technology adoption. The main drivers are GDP per capita, consumer spending per capita, and 4G coverage.

Additional notes:

The data is modeled using current exchange rates. The market is updated twice a year in case market dynamics change. The impact of the COVID-19 pandemic is considered at a country-specific level. The data is modeled using current exchange rates. The impact of the COVID-19 pandemic and the Russia-Ukraine war are considered at a country-specific level. The market is updated twice a year. In some cases, the data is updated on an ad hoc basis (e.g., when new, relevant data has been released or significant changes within the market have an impact on the projected development). Consumer Insights data is reweighted for representativeness.

Overview

  • Ad Spending
  • Analyst Opinion
  • Reach
  • Global Comparison
  • Methodology
  • Key Market Indicators
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