Cinema Tickets - Uruguay | Statista Market Forecast

Revenue in the Cinema Tickets market is projected to reach US$11.24m in 2024.
Revenue is expected to show an annual growth rate (CAGR 2024-2028) of 4.88%, resulting in a projected market volume of US$13.59m by 2028.
In the Cinema Tickets market, the number of users is expected to amount to 420.1k users by 2028.
User penetration will be 11.2% in 2024 and is expected to hit 11.3% by 2028.
The average revenue per user (ARPU) is expected to amount to US$29.92.
In global comparison, most revenue will be generated China (US$6.96bn in 2024).
With a projected rate of 22.8%, the user penetration in the Cinema Tickets market is highest Norway.

Definition:

The Cinema Tickets market consists of the online sale of tickets for movies shown at the cinema; online reservations that are paid for in the cinema are not included. The market covers digital tickets with QR codes, as well as the purchase of cinema tickets that are paid for online but printed at the cinema. Users refer to active ticket buyers, independent of the number of tickets purchased.

Additional Information

Data icludes revenue figuresin Gross Merchandise Value (GMV), Users, average revenue per user (ARPU), and user penetration rate. User and revenue figures represent B2C services.

Online sale of cinema tickets
Digital tickets with QR codes
Tickets that are paid for online but printed at the cinema
Prerequisite is an online checkout process

Reservations that are paid for in the cinema

The Cinema Tickets market in Uruguay has experienced significant growth in recent years, driven by changing customer preferences and local special circumstances. Customer preferences in Uruguay have shifted towards a greater demand for cinema tickets, as people increasingly seek out entertainment experiences outside of their homes. This trend can be seen worldwide, as people are looking for ways to escape their daily routines and immerse themselves in different worlds. Going to the cinema provides an opportunity for individuals to relax, socialize, and enjoy a shared experience with friends and family. In addition to customer preferences, local special circumstances have also contributed to the growth of the Cinema Tickets market in Uruguay. The country has a strong film industry, producing a range of local and international films that appeal to a wide audience. This has led to an increase in the number of cinemas and screens available, making it easier for people to access and enjoy movies. Furthermore, the government has implemented policies to support the film industry, including tax incentives and subsidies, which have further stimulated growth in the market. The underlying macroeconomic factors in Uruguay have also played a role in the development of the Cinema Tickets market. The country has experienced steady economic growth, leading to an increase in disposable income and consumer spending. As a result, people have more money to spend on leisure activities, including going to the cinema. Additionally, the growth of the middle class in Uruguay has contributed to the expansion of the market, as more people are able to afford cinema tickets on a regular basis. Overall, the Cinema Tickets market in Uruguay is experiencing growth due to changing customer preferences, local special circumstances, and underlying macroeconomic factors. As people continue to seek out entertainment experiences and the film industry in Uruguay thrives, the market is expected to continue to expand in the coming years.

Data coverage:

The data encompasses B2C enterprises. Figures are based on Gross Merchandise Value (GMV) and represent what consumers pay for these products and services. The user metrics show the number of customers who have made at least one online purchase within the past 12 months.

Modeling approach / Market size:

Market sizes are determined through a bottom-up approach, building on predefined factors for each market segment. As a basis for evaluating markets, we use annual financial reports of the market-leading companies, third-party studies and reports, as well as survey results from our primary research (e.g., the Statista Global Consumer Survey). In addition, we use relevant key market indicators and data from country-specific associations, such as GDP, GDP per capita, and internet connection speed. This data helps us estimate the market size for each country individually.

Forecasts:

In our forecasts, we apply diverse forecasting techniques. The selection of forecasting techniques is based on the behavior of the relevant market. For example, the S-curve function and exponential trend smoothing. The main drivers are internet users, urban population, usage of key players, and attitudes toward online services.

Additional notes:

The market is updated twice a year in case market dynamics change. The impact of the COVID-19 pandemic and the Russia-Ukraine war are considered at a country-specific level. GCS data is reweighted for representativeness.

This report presents a comprehensive analysis and additional information on the Digital market, in a PDF format.

Movie exhibition corporations are struggling to stay afloat despite a general rebound of the movie industry. In 2022, the box office gross in the U.S. and Canada amounted to 7.5 billion U.S. dollars, making it the biggest market on the international scale. Meanwhile, among companies that disclose their financials regularly, the combined global revenue of the top six cinema chains operating in both nations surpassed seven billion dollars that same year. Out of that total, around 3.66 billion dollars came exclusively from movie ticket sales worldwide. And most of those corporations have in North America their largest, if not only, consumer market.