Digital Music - Hungary

  • Hungary
  • In Hungary, revenue in the Digital Music market market is projected to reach US$43.41m in 2024.
  • Revenue is expected to exhibit an annual growth rate (CAGR 2024-2029) of 6.73%, which will lead to a projected market volume of US$60.12m by 2029.
  • The dominant market within this market is Music Streaming, which will have a market volume of US$32.49m in 2024.
  • In a global context, the highest revenue will be generated the United States, amounting to US$19,080.00m in 2024.
  • Within the Digital Music market market in Hungary, the number of users is anticipated to reach 3.4m users by 2029.
  • User penetration in Hungary will be 31.9% in 2024 and is expected to increase to 35.3% by 2029.
  • In 2023, a share of 0.0% of users in Hungary is categorized in the 0.0% group.
  • In Hungary, the rise of streaming platforms is reshaping the digital music landscape, fostering local talent and diversifying consumer listening habits.

Key regions: Germany, China, Europe, Japan, India

 
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Analyst Opinion

The Digital Music market in Hungary has been experiencing significant growth in recent years, driven by changing customer preferences and the increasing popularity of streaming services.

Customer preferences:
Hungarian consumers have shown a strong preference for digital music over physical formats such as CDs. This shift in preference can be attributed to several factors. Firstly, digital music offers convenience and accessibility, allowing consumers to listen to their favorite tracks anytime and anywhere. Secondly, streaming services have become increasingly affordable, with many offering free ad-supported options as well as premium subscriptions. This has made it easier for consumers to access a wide range of music without the need to purchase individual tracks or albums.

Trends in the market:
One of the key trends in the Hungarian Digital Music market is the rise of streaming services. Platforms such as Spotify, Apple Music, and Deezer have gained significant popularity among Hungarian consumers, offering vast music libraries and personalized recommendations. This trend is expected to continue as streaming services expand their offerings and improve their user experience. Another trend in the market is the increasing use of mobile devices for music consumption. With the widespread adoption of smartphones and the availability of high-speed mobile internet, more and more consumers are using their mobile devices to stream music on the go. This has led to a decline in the use of traditional music players and an increase in the demand for mobile-friendly streaming services.

Local special circumstances:
One of the unique aspects of the Hungarian Digital Music market is the strong presence of local music. Hungarian consumers have a deep appreciation for their own music and artists, and there is a strong demand for Hungarian-language music in the digital music market. This has led to the emergence of local streaming platforms that cater specifically to this demand, offering a wide range of Hungarian music and content.

Underlying macroeconomic factors:
The growth of the Digital Music market in Hungary can be attributed to several underlying macroeconomic factors. Firstly, Hungary has a relatively high internet penetration rate, with a large portion of the population having access to high-speed internet. This has created a favorable environment for the growth of digital services, including digital music. Secondly, the increasing disposable income of Hungarian consumers has also contributed to the growth of the Digital Music market. As consumers have more money to spend on entertainment and leisure activities, they are more willing to invest in digital music services and subscriptions. Overall, the Digital Music market in Hungary is expected to continue its growth trajectory as streaming services become more popular and accessible. With the increasing availability of high-speed internet and the rising disposable income of consumers, the market is poised for further expansion in the coming years.

Methodology

Data coverage:

The data encompasses B2C enterprises. Figures are based on the Music, Radio & Podcasts market, which comprises all revenues generated by traditional and digital radio advertising, consumer purchases of live music event tickets, all sales of tangible audio recording formats, paid digital downloads of professionally produced single tracks / compilations, ad-supported services, and subscription-based, on-demand streaming services. All monetary figures refer to consumer spending on digital goods or subscriptions in the respective market. This spending factors in discounts, margins, and taxes.

Modeling approach / market size:

The market size is determined through a bottom-up approach. We use annual financial reports of the market-leading companies and industry associations, third-party studies and reports, survey results from our primary research (e.g., Consumer Insights), as well as performance factors (e.g., user penetration, price per product, usage) to analyze the markets. To estimate the market size for each country individually, we use relevant key market indicators and data from country-specific industry associations, such as various macroeconomic indicators, historical developments, current trends, and reported performance indicators of key market players. In particular, we consider average prices and annual purchase frequencies.

Forecasts:

We apply a variety of forecasting techniques, depending on the behavior of the relevant market. For instance, the S-curve function and exponential trend smoothing are well suited for forecasting digital products and services due to the non-linear growth of technology adoption. The main drivers are GDP per capita, consumer spending per capita, and 4G coverage.

Additional notes:

The data is modeled using current exchange rates. The market is updated twice a year in case market dynamics change. The impact of the COVID-19 pandemic is considered at a country-specific level. The data is modeled using current exchange rates. The impact of the COVID-19 pandemic and the Russia-Ukraine war are considered at a country-specific level. The market is updated twice a year. In some cases, the data is updated on an ad hoc basis (e.g., when new, relevant data has been released or significant changes within the market have an impact on the projected development). Consumer Insights data is reweighted for representativeness.

Overview

  • Revenue
  • Analyst Opinion
  • Users
  • Demographics
  • Media Usage
  • Key Players
  • Global Comparison
  • Methodology
  • Key Market Indicators
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