Digital Music - Europe

  • Europe
  • In Europe, revenue in the Digital Music market is projected to reach US$11.45bn in 2025.
  • Revenue in this region is expected to demonstrate an annual growth rate (CAGR 2025-2029) of 3.74%, leading to a projected market volume of US$13.26bn by 2029.
  • The largest market in this market is Music Streaming, which is anticipated to have a market volume of US$9.51bn in 2025.
  • In a global context, the highest revenue will be generated the United States, with a figure of US$20,280.00m in 2025.
  • Within the Digital Music market in Europe, the number of users is expected to reach 321.2m users by 2029.
  • User penetration in Europe will be 35.7% in 2025 and is forecasted to increase to 38.1% by 2029.
  • In Europe, the digital music market is increasingly embracing subscription models, reflecting a shift towards personalized listening experiences among consumers.

Key regions: Germany, China, Europe, Japan, India

 
Market
 
Region
 
Region comparison
 
Currency
 

Analyst Opinion

The Digital Music Market in Europe is witnessing moderate growth, fueled by the increasing popularity of streaming services, heightened consumer engagement with podcasts, and the rise of targeted advertising, all contributing to a dynamic and evolving media landscape.

Customer preferences:
Consumers in Europe are increasingly gravitating towards personalized music experiences and curated playlists, reflecting a desire for tailored content that resonates with their individual tastes. The rising popularity of podcasts is also reshaping listening habits, as audiences seek more in-depth storytelling and niche topics that reflect their interests. Furthermore, younger demographics are driving a shift towards social sharing of music, blending digital engagement with community interaction, thereby influencing the marketing strategies of streaming platforms and artists alike.

Trends in the market:
In Europe, the Digital Music Market is experiencing a surge in demand for personalized music experiences, with streaming platforms increasingly utilizing algorithms to curate tailored playlists that resonate with individual listener preferences. Concurrently, the popularity of podcasts is reshaping audio consumption, as audiences gravitate towards niche topics and immersive storytelling. This shift is particularly pronounced among younger demographics, who are driving social sharing trends that enhance community engagement. As a result, industry stakeholders must adapt their marketing strategies to leverage these trends and foster deeper connections with listeners.

Local special circumstances:
In the United Kingdom, the Digital Music Market thrives on a rich musical heritage, with diverse genres fueling a robust streaming culture, while regulatory frameworks like the BBC’s prominence shape content accessibility. Germany's strong emphasis on artists' rights fosters a competitive landscape, driving the popularity of local music festivals and independent labels. In France, government initiatives to support homegrown talent enhance the appeal of streaming platforms, whereas Spain's vibrant cultural scene and increasing internet penetration catalyze a surge in podcast subscriptions, reflecting a unique blend of local interests and consumer preferences.

Underlying macroeconomic factors:
The Digital Music Market in Europe is significantly influenced by macroeconomic factors such as technological innovation, consumer spending patterns, and regulatory frameworks. As streaming platforms expand, the demand for high-quality digital content grows, propelled by increased disposable income and changing consumer preferences toward on-demand services. Countries with robust copyright laws and support for digital artists see higher investment in local music production, enhancing market diversity. Furthermore, the ongoing shift toward mobile connectivity and the proliferation of smart devices are boosting access to music, while economic stability in the region fosters a conducive environment for investment in emerging audio technologies like podcasts.

Methodology

Data coverage:

The data encompasses B2C enterprises. Figures are based on the Music, Radio & Podcasts market, which comprises all revenues generated by traditional and digital radio advertising, consumer purchases of live music event tickets, all sales of tangible audio recording formats, paid digital downloads of professionally produced single tracks / compilations, ad-supported services, and subscription-based, on-demand streaming services. All monetary figures refer to consumer spending on digital goods or subscriptions in the respective market. This spending factors in discounts, margins, and taxes.

Modeling approach / market size:

The market size is determined through a bottom-up approach. We use annual financial reports of the market-leading companies and industry associations, third-party studies and reports, survey results from our primary research (e.g., Consumer Insights), as well as performance factors (e.g., user penetration, price per product, usage) to analyze the markets. To estimate the market size for each country individually, we use relevant key market indicators and data from country-specific industry associations, such as various macroeconomic indicators, historical developments, current trends, and reported performance indicators of key market players. In particular, we consider average prices and annual purchase frequencies.

Forecasts:

We apply a variety of forecasting techniques, depending on the behavior of the relevant market. For instance, the S-curve function and exponential trend smoothing are well suited for forecasting digital products and services due to the non-linear growth of technology adoption. The main drivers are GDP per capita, consumer spending per capita, and 4G coverage.

Additional notes:

The data is modeled using current exchange rates. The market is updated twice a year in case market dynamics change. The impact of the COVID-19 pandemic is considered at a country-specific level. The data is modeled using current exchange rates. The impact of the COVID-19 pandemic and the Russia-Ukraine war are considered at a country-specific level. The market is updated twice a year. In some cases, the data is updated on an ad hoc basis (e.g., when new, relevant data has been released or significant changes within the market have an impact on the projected development). Consumer Insights data is reweighted for representativeness.

Overview

  • Revenue
  • Analyst Opinion
  • Users
  • Key Players
  • Global Comparison
  • Methodology
  • Key Market Indicators
Please wait

Contact

Get in touch with us. We are happy to help.
Statista Locations
Contact Meredith Alda
Meredith Alda
Sales Manager– Contact (United States)

Mon - Fri, 9am - 6pm (EST)

Contact Yolanda Mega
Yolanda Mega
Operations Manager– Contact (Asia)

Mon - Fri, 9am - 5pm (SGT)

Contact Ayana Mizuno
Ayana Mizuno
Junior Business Development Manager– Contact (Asia)

Mon - Fri, 10:00am - 6:00pm (JST)

Contact Lodovica Biagi
Lodovica Biagi
Director of Operations– Contact (Europe)

Mon - Fri, 9:30am - 5pm (GMT)

Contact Carolina Dulin
Carolina Dulin
Group Director - LATAM– Contact (Latin America)

Mon - Fri, 9am - 6pm (EST)