Music Events - BRICS

  • BRICS
  • Revenue in the Music Events market is projected to reach US$1.93bn in 2024.
  • Revenue is expected to show an annual growth rate (CAGR 2024-2028) of 4.37%, resulting in a projected market volume of US$2.29bn by 2028.
  • In the Music Events market, the number of users is expected to amount to 74.0m users by 2028.
  • User penetration will be 0.00 in 2024 and is expected to hit 0.00 by 2028.
  • The average revenue per user (ARPU) is expected to amount to US$27.50.
  • In global comparison, most revenue will be generated in the United States (US$16,980.00m in 2024).
  • With a projected rate of 25.8%, the user penetration in the Music Events market is highest in Denmark.

Key regions: India, Japan, Europe, China, Asia

 
Market
 
Region
 
Region comparison
 
Currency
 

Analyst Opinion

The Music Events market in BRICS is experiencing significant growth and development in recent years. Customer preferences, trends in the market, local special circumstances, and underlying macroeconomic factors all contribute to this positive trend. Customer preferences for music events in BRICS countries have been evolving. With the rise of social media and digital platforms, consumers have become more connected and engaged with music. They seek unique and immersive experiences that go beyond just listening to music. As a result, music events that offer a combination of live performances, interactive elements, and visual effects have gained popularity among customers. Additionally, customers are increasingly looking for diverse genres of music, catering to different tastes and preferences. This has led to a proliferation of music festivals and events that showcase a wide range of musical styles. Trends in the Music Events market in BRICS countries vary across the region. In Brazil, for example, the Carnival festival is a major event that attracts millions of people from around the world. The festival showcases a vibrant mix of music, dance, and culture, creating a unique and festive atmosphere. In Russia, electronic music festivals have gained popularity, with international DJs and artists drawing large crowds. India has seen a surge in music festivals that celebrate the country's rich musical heritage, combining traditional and contemporary music styles. China, on the other hand, has witnessed a growing demand for Western music events, with international artists and bands performing to enthusiastic audiences. Local special circumstances also contribute to the development of the Music Events market in BRICS countries. For example, Brazil's rich musical heritage and cultural diversity provide a fertile ground for music events that celebrate the country's unique music styles, such as samba and bossa nova. Russia's long and harsh winters have led to the popularity of indoor music events and festivals, providing a warm and inviting environment for music lovers. In India, the influence of Bollywood music and film industry has created a massive market for music events that feature popular film songs and live performances by Bollywood stars. China's growing middle class and increasing disposable income have fueled the demand for music events, as more people are able to afford tickets and experience live music. Underlying macroeconomic factors also play a crucial role in the development of the Music Events market in BRICS countries. Economic growth, rising incomes, and urbanization have contributed to an expanding middle class with a higher disposable income. This has led to increased spending on leisure activities, including music events. Additionally, advancements in technology and infrastructure have made it easier for music events to be organized and promoted, reaching a wider audience. The rise of digital platforms and streaming services has also made music more accessible, creating a larger fan base and increasing demand for live music experiences. In conclusion, the Music Events market in BRICS countries is experiencing growth and development due to changing customer preferences, evolving trends, local special circumstances, and underlying macroeconomic factors. As consumers seek unique and immersive music experiences, the market continues to expand, offering a wide range of events and festivals that cater to different tastes and preferences.

Methodology

Data coverage:

The data encompasses B2C enterprises. Figures are based on Gross Merchandise Value (GMV) and represent what consumers pay for these products and services. The user metrics show the number of customers who have made at least one online purchase within the past 12 months.

Modeling approach / Market size:

Market sizes are determined through a bottom-up approach, building on predefined factors for each market segment. As a basis for evaluating markets, we use annual financial reports of the market-leading companies, third-party studies and reports, as well as survey results from our primary research (e.g., the Statista Global Consumer Survey). In addition, we use relevant key market indicators and data from country-specific associations, such as GDP, GDP per capita, and internet connection speed. This data helps us estimate the market size for each country individually.

Forecasts:

In our forecasts, we apply diverse forecasting techniques. The selection of forecasting techniques is based on the behavior of the relevant market. For example, the S-curve function and exponential trend smoothing. The main drivers are internet users, urban population, usage of key players, and attitudes toward online services.

Additional notes:

The market is updated twice a year in case market dynamics change. The impact of the COVID-19 pandemic and the Russia-Ukraine war are considered at a country-specific level. GCS data is reweighted for representativeness.

Overview

  • Revenue
  • Analyst Opinion
  • Users
  • Global Comparison
  • Methodology
  • Key Market Indicators
Please wait

Contact

Get in touch with us. We are happy to help.
Statista Locations
Contact Meredith Alda
Meredith Alda
Sales Manager– Contact (United States)

Mon - Fri, 9am - 6pm (EST)

Contact Yolanda Mega
Yolanda Mega
Operations Manager– Contact (Asia)

Mon - Fri, 9am - 5pm (SGT)

Contact Ayana Mizuno
Ayana Mizuno
Junior Business Development Manager– Contact (Asia)

Mon - Fri, 10:00am - 6:00pm (JST)

Contact Lodovica Biagi
Lodovica Biagi
Director of Operations– Contact (Europe)

Mon - Fri, 9:30am - 5pm (GMT)

Contact Carolina Dulin
Carolina Dulin
Group Director - LATAM– Contact (Latin America)

Mon - Fri, 9am - 6pm (EST)