Music Events - Northern Europe

  • Northern Europe
  • Revenue in the Music Events market is projected to reach US$1.19bn in 2024.
  • Revenue is expected to show an annual growth rate (CAGR 2024-2028) of 1.64%, resulting in a projected market volume of US$1.27bn by 2028.
  • In the Music Events market, the number of users is expected to amount to 6.9m users by 2028.
  • User penetration will be 20.4% in 2024 and is expected to hit 20.4% by 2028.
  • The average revenue per user (ARPU) is expected to amount to US$174.80.
  • In global comparison, most revenue will be generated in the United States (US$16,980.00m in 2024).
  • With a projected rate of 25.8%, the user penetration in the Music Events market is highest in Denmark.

Key regions: India, Japan, Europe, China, Asia

 
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Analyst Opinion

The Music Events market in Northern Europe has seen significant growth and development in recent years, driven by changing customer preferences and local special circumstances. Customer preferences in the Music Events market have shifted towards more immersive and interactive experiences. Attendees are seeking unique and memorable experiences that go beyond just listening to music. They want to be part of the performance, engage with the artists, and participate in activities that enhance their overall event experience. This has led to the rise of music festivals and multi-day events that offer a wide range of activities such as art installations, workshops, and interactive performances. Additionally, there is a growing demand for niche and genre-specific events, catering to specific music tastes and subcultures. Trends in the market show a growing emphasis on sustainability and eco-friendliness. Music events in Northern Europe are increasingly adopting environmentally friendly practices to reduce their carbon footprint. This includes initiatives such as using renewable energy sources, promoting recycling and waste reduction, and encouraging attendees to use public transportation. Sustainability has become an important factor for customers when choosing which music events to attend, and organizers are responding to this demand by incorporating eco-friendly practices into their events. Local special circumstances in Northern Europe have also contributed to the development of the Music Events market. The region has a rich musical heritage and a thriving music scene, with many talented artists and bands originating from Northern Europe. This has created a strong local demand for music events, as people are eager to support and experience the performances of their favorite artists. Additionally, Northern Europe is known for its vibrant cultural scene and high quality of life, making it an attractive destination for both local and international music events. The region's well-developed infrastructure and efficient transportation networks also make it easy for attendees to access music events in different cities. Underlying macroeconomic factors have also played a role in the growth of the Music Events market in Northern Europe. The region has experienced steady economic growth and rising disposable incomes, which has increased the affordability of attending music events. Additionally, the rise of digital streaming platforms has made music more accessible and has helped to create a larger fan base for artists, leading to increased demand for live performances. Furthermore, the tourism industry in Northern Europe has been booming, with an influx of international visitors seeking cultural and entertainment experiences. This has created a favorable environment for the Music Events market to thrive, as organizers can tap into both the local and international market. Overall, the Music Events market in Northern Europe is developing in response to changing customer preferences, local special circumstances, and underlying macroeconomic factors. The market is characterized by immersive experiences, sustainability initiatives, a strong local music scene, and a favorable economic environment. These factors are driving the growth and evolution of the Music Events market in Northern Europe, making it an exciting and dynamic industry for both organizers and attendees.

Methodology

Data coverage:

The data encompasses B2C enterprises. Figures are based on Gross Merchandise Value (GMV) and represent what consumers pay for these products and services. The user metrics show the number of customers who have made at least one online purchase within the past 12 months.

Modeling approach / Market size:

Market sizes are determined through a bottom-up approach, building on predefined factors for each market segment. As a basis for evaluating markets, we use annual financial reports of the market-leading companies, third-party studies and reports, as well as survey results from our primary research (e.g., the Statista Global Consumer Survey). In addition, we use relevant key market indicators and data from country-specific associations, such as GDP, GDP per capita, and internet connection speed. This data helps us estimate the market size for each country individually.

Forecasts:

In our forecasts, we apply diverse forecasting techniques. The selection of forecasting techniques is based on the behavior of the relevant market. For example, the S-curve function and exponential trend smoothing. The main drivers are internet users, urban population, usage of key players, and attitudes toward online services.

Additional notes:

The market is updated twice a year in case market dynamics change. The impact of the COVID-19 pandemic and the Russia-Ukraine war are considered at a country-specific level. GCS data is reweighted for representativeness.

Overview

  • Revenue
  • Analyst Opinion
  • Users
  • Global Comparison
  • Methodology
  • Key Market Indicators
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