The cinema industry has been one of the most successful markets in 21st-century Poland, attracting an
of 41.4 million in 2022. Furthermore, the Polish film entertainment industry witnessed a steady development and growth in new
between 2015 and 2022. However, due to the coronavirus (COVID-19) pandemic, the number of audiences decreased for the first time in 2020. In 2022, the country offered a total of 532 cinemas to locals and visitors, with over 21 percent of all screenings showing
Polish cinematography in a nutshell
The Mazowieckie (Masovian) voivodeship was the undisputed leader in terms of
cinema numbers in the region. Since the outbreak of the COVID-19 pandemic, the number of people visiting cinemas has declined. In 2021, the
number of cinemagoers per 1,000 residents dropped by 1097 compared to 2019. However, the number began to rise again, and in 2022 it reached 1,095. Polish cinematography is dominated by fiction films, which comprise over 63 percent of all
movies produced in the country. The most popular
Polish film director was Roman Polanski, known for such blockbusters as "The Pianist" and "Chinatown."
In 2023, Multikino, Cinema City, and Helios were
the most visited at the time. Cinema
premieres of popular films attracted a large audience to cinemas. In 2023, the horror movie "Zakonnica II" was seen by more than 94 thousand people who like thrills.
Cinema audience in Poland
The Masovian voivodeship was also a leader in terms of cinema facilities echoes in
regional cinema audience numbers. In 2022, the voivodeship’s cinemas welcomed over 7.7 million movie viewers. Women constituted 51 percent of
cinemagoers in the Polish cinema audience. Women were also more likely than men to
visit a cinema with an accompanying person. Cinema audiences in 2023 mainly gained
knowledge about movies from social media and internet-based information services. The main factor in
choosing a cinema was primarily distance and screening the movie of interest. On the other hand, the leading
reason for not visiting cinemas was the preference for watching films in the comfort of one’s own home.
This text provides general information. Statista assumes no
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data than referenced in the text.